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A sporadically plotted, visually stunning, sexualized and surrealistic phantasmagoria, this movie is perfect for cinephiles looking to wet their feet in the darker fringes of Netflix. Even as he smokes DMT and slips into a psychedelic trance we trip with him and see what he sees. The camera blinks in sync with the character - his thoughts are heard as ubiquitous echoes. The entire movie is shot in first-person from the perspective of the drug dealer. But what makes this movie so captivating and unique is not its narrative or even really its themes it’s the psychedelic cinematography and visual style.
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Centered around a drug-dealer/DMT-enthusiast living on the electrified avenues of downtown Tokyo, this nearly three-hour rollercoaster of a film can only be described as a visually-provocative treatise on the greed, darkness and perversions of the human condition. All these and more make up the French-directed, American-acted experimental film “Enter the Void.” “Enter the Void” is the brainchild of director Gaspar Noé, a man known for his dark, gritty and sometimes violent style of story-telling. Call Me By Your Name is out now on Blu-ray, DVD and digital download.Drugs, dicks, DMT, death and Asians.So if you had two of them, you could do a pretty good work-out.” So he’ll just have to hurry up and win another. Do you know the funny thing about an Oscar? It’s exactly the right weight for a dumbbell. “It’s sitting at a window where all kinds of people could see it if they bothered to look across. “He’s a good, sane director,” he says, “with a special way of looking at things.”Īs for the Oscar, that’s currently in Ivory’s New York apartment. “He retired once before to become a shoemaker in Italy and luckily he didn’t persist at that, so hopefully this is short-term, too.” What’s certain is that Ivory is adapting Prawer Jhabvala’s short story The Judge’s Will for Alexander Payne, who made Sideways and the recent Downsizing.
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He also has a nice little part in mind, in another project, for his old mucker Daniel Day-Lewis: “He’d be playing a detective, which I don’t think he’s done.” Ivory seems unperturbed when I mention that the actor retired recently. A film of Richard II, which he has hoped to make since the early 90s, may now reach the screen: “People are reading the script with, let’s say, renewed interest.” The Merchant/Ivory brand fell from commercial and critical favour about 10 years before Merchant’s death, and Ivory has struggled to get new projects under way. Though the pair had been making films for more than four decades – often with their friend and favourite screenwriter, Ruth Prawer Jhabvala, who died in 2013 – any references to their personal life together were only ever made discreetly and euphemistically by the press, if at all.ĭream team … Merchant, Ivory and their Oscar-winning screenwriter Ruth Prawer Jhabvala in 1984. His relationship with his producing partner Ismail Merchant, which began when they met in the early 60s, lasted until Merchant died during surgery in 2005 at the age of 68. To me, that’s a more natural way of doing things than to hide them, or to do what Luca did, which is to pan the camera out of the window toward some trees.
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And I don’t do it, as you know.” In Maurice, his 1987 film of EM Forster’s posthumously published gay love story, “the two guys have had sex and they get up and you certainly see everything there is to be seen. “When people are wandering around before or after making love, and they’re decorously covered with sheets, it’s always seemed phoney to me.